I’ll start by saying I wasn’t in the best of moods before seeing this but thankfully, this film in not what a lackluster trailer had anyone believing. Many still may not enjoy it but I think that as a comedy, the film did what it should because I felt better while watching it. I even laughed a few times.
OVERALL RATING: 3/4
I don’t believe that comedies shouldn’t have an identifiable style. Usually, it’s the darker comedies, like In Bruges, that take the risk but I think it’s time for the genre to try a little harder. This is why I appreciate The Hangover films because even as mass-appealing comedies, they have a specific look. This is also where praise for a lot of Simon Pegg and British films comes in. The Heat doesn’t really light any cinematic sparks in this department though, which is especially disappointing since you may know the cinematographer, Robert D. Yeoman, for his work on Dogma and many fantastic Wes Anderson films. As a filmgoer, if you’re only looking for some inspiring lighting or memorable long takes, this isn’t the film for you.
Melissa McCarthy outshines Sandra Bullock, and everyone else in this film, but both women have great awareness with physical comedy. They swear as much as they like as well, which is a lot with McCarthy’s insults, and it’s unapologetically funny. As per usual, McCarthy’s husband cameos in the film as well. Another great appearance is from Nathan Corddry, for any fan of Studio 60 on the Sunset Strip, and other recognizable television faces include Kaitlin Oslon from It’s Always Sunny in Philadelphia, Tony Hale from Arrested Development, and Andy Buckley from The Office.
Paul Feig, above all, is probably the reason this film does hit its comedic beats. His body of work proves his diversity with comedy (yes, not all comedy is the same and not everyone works well with each style), and he sets high standards for female-driven comedies, especially because of Bridesmaids. He seems to be the perfect director for McCarthy as well. She’s one of the funniest women around, but it seems that especially with Feig does her natural humor as the inappropriate character with heart please audiences the most.
The payoffs are predictable in Katie Dippold’s script, but at least the film keeps its pace. The problem with many comedies that extend over the 90 minute mark is that so many lose comedic steam midway through. When the energy gets lost in the script, the audience loses the laughter momentum as well. The Heat, playing off of its predictability, comes with a variety of moments so ridiculous that it’s hard not to laugh, like McCartney’s “bad-cop” interrogation style or Bullock’s knife encounter. Not bad for a comedy that extends over 2 hours, especially since a sequel is now in the works.
There is an issue with the generic lead characters. I wish they were something new to the buddy-cop genre rather than uptight FBI agent and reckless cop. The fact that they are female leads doesn’t excuse this lack of character development or make it refreshing. Merely dealing with gender doesn’t push any envelopes if the females are written like stereotypical male characters. This is the same issue Zero Dark Thirty had, because why are strong female characters basically written like a male, yet constantly proving themselves to men?