OVERALL RATING: 2.5/4
Swarms of zombies seen from afar. Anything up close and personal is left more for the imagination. There are quick moments that Ben Seresin does a great job capturing, such as the red flare lights, pharmacy scene, and rainy runway aesthetic. The films takes the audience to many different places under various conditions, and Seresin does a great job keeping up with those changes. Overall, it seems like his best cinematic work.
There are no outstanding performances in this film, except maybe from a couple zombies. Brad Pitt plays it straight as Gerry, the family man well-endowed with survival skills. Pitt is a brilliant character actor and roles like these don’t do justice for his talents. I’d rather see Tyler Durden fight zombies, Detective David Mills investigating the cure, or Rusty Ryan steal from a zombie-infested research center. We hear of Gerry’s backstory in dialogue, but why bother if he’s just so normal and blasé? Gerry seems quick-witted and more importantly, unflawed, making his character much less interesting.
Expect more of an action movie than a blood-and-guts film. Marc Forster does a great job capturing the global chaos of a zombie apocalypse, but he does not focus much on individuals in danger, leaving audiences with less sympathy toward the film’s many zombie victims. The film constantly moves from place to place with its shaky camera, which is understandable given the circumstances of a global apocalypse, but it needs more beats for Gerry’s character. I attribute this to a lack of character development and while it may not be in the script, Forster could have found some moments within scenes like when the family finds shelter or in Gerry’s many nightmares.
Many last-minute, drastic script changes went into this film, resulting in an entirely new ending. Once Pitt’s character leaves his family, the film gradually loses its sense of danger. Zombies are everywhere, but he’s the only character the audience really needs to care for and they already announced the sequel. The film throws so many odd characters into the mix as well without really making much effective use of them.
It is an interesting world when zombies run, rather than shuffle around, but anyone familiar with Zombieland won’t see World War Z as pushing any envelopes. In fact, the film loses its edge by its second act, and there’s arguably no tension at all in the convenient and hasty final act. This film does a poor job of setting anything up for the sequel as well, ending as a standalone feature.
Marco Beltrami’s score surges through the film but it’s only after that you realize its impact. It’s not about scares, but it is about the tension that builds during a global crisis. The score maintains the suspense of the film more than any other aspect. It’s especially unnerving after Gerry and his family realize that a traffic jam soon becomes a Philadelphia zombie takeover.